Baby blue tor miller2/22/2023 It’s showcased on songs like “Baby Blue” and “Midnight,” his solemn, streetlight-lit ode to the city he loves. Their influence rings out in the percussive chord progressions that drive his uptempo solo work, like “Now and Again” and “Headlights.” On slower tracks, his voice, ranging from a throaty tenor to a soaring falsetto, calls to mind the melancholy vocals of Rufus Wainwright and Jeff Buckley. When Miller’s parents separated and he moved from Brooklyn to “a horse farm in nowhere, New Jersey,” his mother introduced him to the music of David Bowie, Elton John, and Ray Charles, which provided the soundtrack to their long drives between their small town and the bustling city, where Miller continued to go to school. And I feel so far from your side And when I look up I start to cry Youre a darker hue Baby blue, what should I do Will I feel so lost without you Im deaf, dumb, blind and out of touch Your eyes got so big Who can I trust And I feel so far from your side And when I look up I start to cry Youre a darker hue My baby blue Youre a darker hue. Miller was only fifteen when he played his first New York gig on the synths in a pop-punk band. /rebates/&.com252fproducts252fbabysfirstblock-blue. As a kid, he’d begrudgingly taken piano lessons, but it wasn’t until he met piano teacher Anthony Rufo, who taught him basic song composition and encouraged him to sing, that he started to take music seriously. “I wanted to be a professional musician right out of high school,” he says. His Seventies-inflected, piano-based pop is the result of years spent honing his craft-first spurred by suburban boredom, then, upon realizing his talent, by the drive to forge a career.
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